Lissadell House and Gardens, Sligo, Ireland
a brief introduction
CONSTANCE MARKIEVICZ EXHIBITION at Lissadell opened by An Taoiseach in March 2007
Countess Markievicz, born Constance Georgine Gore Booth, politician, revolutionary, tireless worker with the poor and dispossessed, was a remarkable woman. Born into great wealth and privilege in Lissadell, Sligo, Ireland, she is most famous for her leadership role in the Irish Easter Rebellion of 1916 and the subsequent revolutionary struggle for freedom in Ireland, for which she risked her life. The story of Constance, Countess Markievicz, is a story of a woman of determination, independence, idealism and self-sacrifice in pursuit of freedom for the Irish people. It is the story of a woman who has inspired generations of Irish men and women.
Constance at Lissadell with her brother Josslyn (above left); Constance's signature on a window pane in the Ante Room at Lissadell (above right, photo James Connolly of PicSell8, Sligo)
Born in 1868, Constance was the first of the five children of Henry Gore Booth, fifth Baronet of Sligo, and his wife Georgina. She had a happy and unremarkable childhood in Lissadell with horse-riding, sailing and picnics on the strand. When she was old enough, Constance was taken to London for the social season but instead of finding a husband and settling down as expected of young ladies of her class, she persuaded her papa to rent a studio for her, and promptly enrolled in the Slade School of Art. At 25, Constance went to Paris to continue her studies and met and married Casimir Dunin-Markievicz. Their only child, Maeve Allys, was born in Lissadell in 1901.
On settling in Dublin in 1903, George Russell (AE) remarked "the Gore-Booth girl who married the Polish Count with the unspellable name is going to settle near Dublin .. we might get the materials for revolt ..". Constance continued with her painting, and she and her husband regularly exhibited with AE. They became good friends. He allowed her a small part in his play Deirdre, performed at the Abbey in 1907.
Constance with her daughter Maeve and stepson Stanislas; photographed in an English Garden in 1891 by Wasey Sterry, and on her wedding day in London in 1900
A life of painting and pleasure was not enough for Constance. As a young girl she had confided to her journal that "Nature should provide me with something to live for, something to die for". She turned to politics. In 1908 Constance spoke publicly in favour of the nationalist cause from a Sinn Féin platform. The reaction of her friend the poet W. B. Yeats was initially hostile:
"women, because the main event in their lives has been giving themselves and giving birth, give all to an opinion as if it were some terrible stone doll"*
A reaction softened in later years
"dear shadows, now you know it all, all the folly of a fight with a common wrong or right. The innocent and the beautiful have no enemy but time"**.
Constance's political activities continued, but Casimir was not interested, and by 1914 he was back in the Ukraine.Constance was also active in helping the poor of Dublin. Madame de Markievicz, as she was called, had established and operated a soup kitchen from the headquarters of the ITGWU at Liberty Hall during the great Lock Out of 1913 organised by Jim Larkin. She herself collected and delivered bags of turf, which she brought into Dublin in her car from the Dublin mountains.She was regularly seen hauling heavy bags of fuel up flights of stairs in back street tenement houses, where so many of the poorest people in Dublin eked out a mere survival.
James Connolly became a significant influence in the development of Constance's political ideology. In an article written for The Nation in March 1927, Constance wrote that "when he began to organise the Irish Citizen Army he brought me along, teaching me, as he got to know me, as a comrade, giving me any work that I could do, and quite ignoring the conventional attitude towards the work of women".Constance became a commissioned officer in the Irish Citizen Army, and was involved in the planning of the 1916 Rising. Her notebook, recording the planned manoeuvres is now on display in Lissadell. She fought in St. Stephen's Green and retreated to the College of Surgeons, where she eventually surrendered. Constance was sentenced to death for her part in the Rising, commuted to life imprisonment because of her sex. This brought little relief. At that time she just wanted to die with her comrades, who were being executed almost daily in the hard labour yard outside her cell in Kilmainham Gaol. Constance had a particular loyalty to James Connolly, who was executed strapped to a chair because he was so bady wounded he could not stand (the place is marked with a cross in Kilmainham, which is now a museum). On his death, she wrote these words:
Constance Markievicz's tribute to James Connolly, May 1916
You died for your Country my Hero-love
Constance Markievicz committal photos (above); Attending a funeral, with James Connolly standing behind her (left)
Constance was released from Ailsbury Gaol in England in 1917 following a general amnesty. However she served a further five terms of imprisonment during the troubles.
Constance's notes in preparation for the 1916 Rising (left); and photographed in a London Studio with Althea Gyles by Wasey Sterry, 1891 (on display in the Constance Markievicz Exhibition)
Constance Markievicz was the first woman to be elected to Westminster Parliament in London (where she refused to take her seat), and the first to be elected to and serve in Dáil Eireann. She served with distinction as the first female minister in a modern democracy, having been appointed Minister for Labour at the first meeting of the Dáil in 1919.She continued to fight for the Republican cause: in a heated exchange with Michael Collins on the Treaty debates some years later she labelled his party "traitors!". He retorted "English!" a jibe at her Anglo Irish ancestry.
In March 1926 Eamon de Valera called an extraordinary meeting of Sinn Féin to discuss the future of the party. Failing to achieve agreement on his vision of the future, he resigned as leader of Sinn Féin and established a new national movement. On 16 May 1926, the inaugural meeting of Fianna Fáil was held in La Scala theatre in Dublin. Among the founding members were Seán Lemass, Gerry Boland, Countess Markievicz and Frank Aiken.
1927 Fianna Fail group, with Constance in the front row, with her arm in a sling (above, left); Constance in Dublin (above, right)
In June 1927 Constance fell seriously ill. She was admitted to a public ward in Sir Patrick Dun’s hospital (at her own insistence). She had peritonitis, and although she had surgery, it was too late. Constance Markievicz died at 1:25 a.m. on the morning of 15th July, 1927. She was attended by her husband, Casimir. Her brother, Sir Josslyn Gore Booth, had received daily bulletins from the Matron, and immediately arranged to attend the funeral in Dublin.
Her brother Josslyn would have preferred a private, family funeral, but this was not to be. In death Constance Markievicz was even more openly appreciated and acclaimed than in life. Three hundred thousand people attended the funeral to pay tribute to “the friend of the toiler, the lover of the poor”, the words of Eamon de Valera, who delivered the funeral oration, and with whom she had founded the Fianna Fáil Party.
The Funeral of Constance, Countess Markievicz in Dublin in 1927.
Lady Gregory, who had attended bord meetings of the Abbey Theatre with Constance, wrote: “poor Madame Markievicz, also gone…I knew her in her Castle days when she was rather a jealous meddler in the Abbey and Hugh’s (Lane) gallery. But her energy found a better scope when she took up the labour movement and then a more violent outlet in 1916 when she fought with the boy scouts she had trained, against the English troops, and was imprisoned. I remember one evening when I was coming from some hard hours work at the Abbey I felt tired and jaded on the tram, and then she got in, tired and jaded also from drilling some of her “Fianna” and I felt drawn to her. There was something gallant about her. We were each working for what we believed would help Ireland and we talked together.”
Left: Constance's sketch of Lady Gregory, de Valera and Synge at an Abbey Theatre board meeting
Constance Markievicz continued to inspire respect after her death for her kindness to the poor of Dublin and her devotion to the cause of Irish Nationalism.
YEATS: * from his 1910 Diary, later repeated in his Death of Synge, published by the Cuala Press in 1928; ** from his poem "In memory of Eva Gore Booth and Con Markievicz".